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The Development Of The Sappho-Corinne Myth In Victorian Women's Poetry

 

"Yet glory's light hath touch'd my name- she admits, because she has indeed gained recognition for her literary achievements; exultantly she exclaims "the laurel wreath is mine!- Such recognition lies at the heart of every Victorian woman poet's fondest desires. Still, fame alone will not give her peace. Hemans' Sappho has traded away love in exchange for her fame and, alone, she ends her life by plunging herself into the sea with a plea, "give me peace, dark sea!- Sappho's death lends a metaphor to her legacy. Like a ship lost at sea, Sappho buries herself and her pain in the depths of the mighty deep. However, her works remain and like "lost gems, and wasted gold- they have resurfaced bit by bit to form the treasure trove of a matriarchal literary legacy so sought after by Victorian female authors. .
             Hemans' literary portrait of Sappho reoccurs in Caroline Norton's "The Picture of Sappho-. Like Hemans' "The Last Song of Sappho-, Norton's poem was inspired by a picture of the mythical Sappho and shows a Sappho figure to whom the angst of aloneness outweighs the joy of professional achievement: as "fame to [Sappho's] breaking heart no comfort could impart."" Norton's work, however, does not assume the voice of Sappho, but that of a struggling woman author who questions the reality of Sappho's life and literary success. The Victorian society's fraternal oppression of women has dimmed the "imagined glory- of the Sapphic myth for Norton's speaker, leading her to ask the question "was it History's truth, that tale of wasted youth, of endless grief, and love forsaken pining?- The speaker finds it hard to imagine a culture where such a powerful matriarchal archetype could have lived. Her doubt is well founded, for the answer to her question is no. The Sappho of whom Norton writes never existed; Norton's Sappho is a fiction. .
             Norton puts together the pieces of the fragmented Sappho myth into a character with which she can identify; but in doing so confuses Hemans' conglomerate Sappho-Corinne heroine with the actual Sappho of Greek antiquity.


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