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Naturalism and Realism



             Realism theatre when performed tended to inhabit a proscenium arch stage that resembled a room with the fourth wall removed (though this wall was removed the actors did not acknowledge the audience). At this time even ceilings were introduced and the setting was realistic and attention to detail obvious. More recently realism theatre has become more creative being performed in an existing space such as a backyard or restaurant (also known as street theatre). .
             Realism broke away from the elaborate melodrama style sets and rarely presented settings such as battlefields, palaces and mansions. Special effects were no longer utilized and the use of stagecraft became less important, thus creating a more down to earth, intimate and familiar atmosphere that was focused on character relationships.
             SCRIPT.
             The language used was that of common conversations, it captured the quality of everyday life. It was highly dependable of the character, characterised by mannerisms, dialects and inarticulate responses as appropriate to their status the language was at times it was driven by emotion and sarcasm and contained broken speech patterns, pauses and staccato outbursts. .
             The script and the way it was spoken reaveal Communication was focused on rather than special events.
             Informality in clothing and manners was increased which broke away from the formality and .
             The script content itself also mirrored everyday life.
             was rarely monotone. Quite often it reveals an underlying meaning.
             Characters.
             Ignore audience.
             Actions also became that of everyday life.
             Actions became smaller and more frequent which was in total contrast to the days of the elaborate Greek theatre movements.
             Timing began to play in real life, that is a minute would represent a minute, an hour an hour. .
             In order to achieve this believability on stage Russian actor and director Constantin Stanislavski created a system now commonly known as the Stanislavski System that focused on achieving four main aims.


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