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Critical Review of the Richard Deacon Art Exhibit


            The contemporary Welsh sculptor, Richard Deacon, began his career in the 1970's, experimenting with everyday materials to create unique works of art. Early in his career, Deacon's training concentrated on performance-based work. After graduating from Saint Martin's School of Art, his sculptural activity turned towards object making, which further developed in his studies at the Royal College of Art. Leaving the Royal College of Art in London in 1977 when he went to study at the Chelsea School of Art. Deacon's first solo show was held in Brixton in 1978. In 1987 Deacon was the recipient of the prestigious Turner Prize, for his touring show: "For Those Who Have Eyes." This achievement marks him as one the most brilliant contemporary sculptors of the time. .
             A part of the New British Sculpture Movement, a group of sculptors and installation artists who began to exhibit together in London in the early 1980s; Deacon's work is marked by his use synthesis of the natural and the industrial. He manipulates materials such as sheets of metals and laminated wood in addition to leather, cardboard, ceramics, rubber, cloth, chrome, marble and clay. His body of work comprises of small-scale works, larger pieces shown in sculpture gardens, and specific commissioned objects. The forms Deacon creates are abstract, yet chock full of metaphorical references created by the contradicting elements in his pieces. Works often have titles that are indicative and descriptive of deeper meaning. .
             Held in the renowned art gallery, Tate Britain, Richard Deacon an exhibition of a retrospective of Deacon's work runs from 5 February to 27 April 2014. Spanning over almost forty years of work, Tate Britain is currently showcasing 32 of Deacon's finest constructions and series of drawings from 1978. This retrospective highlights Deacon's fluctuating explorations into abstract and organic forms. Taking up six galleries and the Manton Foyer in the Linbury Galleries, the works on display demonstrate, chronologically, Deacon's attentiveness throughout his career to push and challenge the materials he works with, producing thought provoking and meaningful works.


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