Crokes' piece consists of 3 digital works, each signifying a different portrait of a female, with a decaying and somewhat rotting face. The Faces comprise of cracked and fractured features, some of which are rotted beyond recognition. Parts of the figures faces have been removed and some parts distorted and attached in a collage effect, making them seem corpse like. The Light Pink and yellow tone created a soft gentle hue, which in contrast to the decay; create a beautiful yet harrowing image of the female model. When inspected closer, a definite rust like texture can be observed, creating a sense of aging, and seem as if to be skin peeling or falling off the face. The viewer is instinctively nauseated by the idea of decaying flesh.
Crokes work to date has been about self-image, self-representation -true and false. Through researching the effect of social media and its obsession with perfection, Croke began to create work which reconstructs the 'perfect' through deconstructing and collaging of found and self-made images. Recent research into the world of cosmetic surgery, and the fight against aging, led her to create portraits depicting decay. Further exploration into the writings of A. C. Grayling, she became fascinated with the idea of decaying flesh being part of the natural cycle of things, and what if we were to accept this. Grayling theorises that although we find flesh that is too-decayed nauseating, it is simply a process of transfer- turning the world around us into ourselves by allowing it to eat us, (Grayling, 2003).
"In either direction the processes of digestion are nothing other than the ceaseless pulse of things entering into and leaving each other's naturesAlthough the idea of decaying flesh is stomach churning. As Dekkers portrays as he describes the cheesy smell of a rotting mouse- it's a huge part of his point is what we see as decay, rottenness, collapse and demise, is a condition for the renewal of life and also its fulfillment," (Grayling, 2003).
It is most famous for it's beautiful decorations and artwork. ... However the most famous achievements in the chapel are the artwork of Michelangelo. ... It took restorers a total of fourteen years (from 1981 to 1995) to remove the centuries" worth of grime and decay. ...
Inside these pyramids, there are elaborate and often quite beautiful burial chambers. ... Inside the pyramid's burial chamber the Egyptians would try to preserve body from decay. ... That is why they prevented the corpse from decaying by an elaborate method of embalming it, and binding it up with strips of cloth. ... The early portraits from the pyramid age, the fourth dynasty of the Old Kingdom, are among the most beautiful works of Egyptian art. ... The best-regarded artists were those who could make their works like the admired artworks of the past. ...
I never paid much attention to his artwork, but as of late I realized the more you try to understand his artwork, the harder it is to figure out. ... I find his artwork truly amazing. ... The Virgin of the Rocks was his first successful venture into the world of realism artwork. ... I find the picture to be truly beautiful. ... It was this combination of things that allowed him to create some of the most famous artwork of all time. ...
When I walk into galleries and see artwork, sometimes I am able to understand design choices on a conceptual level. ... Eva Hesse manages to accomplish this by choosing to use latex as a prominent material in a lot of her artwork. ... Eva was very successful in consciously choosing to use latex throughout her artwork. She was well aware that latex, and her artwork as a whole, would deteriorate and decay over time. ... All of these relationships that are being broken and lost have driven Eva Hesse to incorporate and express her feelings and experiences through her artwork, going back to the dec...
According to The Macquarie Dictionary, art is defined as, " The production or expression of what is beautiful (esp. visually), appealing or of more than ordinary significance." ... If the artwork is significant in the eyes of the artist then it can be seen as an artwork. ... Many people might see an artwork as something of their own interpretations. ... Everyone has his or her own interpretations of artworks, but if the artwork can attract the viewers attention and make the viewer think of what the artwork is showing then it can be interpreted as an artwork of ordinary significance. ......
Yellow, decaying, and rotten teeth show poor hygene or a low income. This decaying of teeth is called dental caries. ... There are many causes for tooth decay ranging from bacteria to acids. ... You want to keep decay to a minimum by taking good care of your teeth. ... Sugars for instance are directly related to the breakdown process of decay. ...
The first of these items listed is stating that "The artist is the creator of beautiful things." ... Basil Hallward is an artist who paints a portrait of the young and beautiful Dorian Gray. ... This is apparent in the description of what occurs to Dorian as he looks at the artwork; "the sense of his own beauty came on him like a revelation." ... The ugliness of evil reflected in the artwork is described in the book when Wilde states that "There was something in its expression that filled him with disgust and loathing." ... (p 245), proving that the effects of the painting, the artwork, were ...
It is a fresco artwork created in 1498 and has been subject to a lot of restoration. ... The pigment soon began to break loose from the base and a process of progressive decay set in. As early as 1517, it was noted to have begun to decay. ...
The main focus of the collection artworks is the landscape. ... The title Consumption itself is defined as consuming by use of decay or destruction, in earlier times it was another name for tuberculosis, a wasting away of the body. ... Cole's purpose for painting the Course of Empire series was to fore warn people not only in America but in every society that not only physical and material excess but also moral extravagances would lead to the destruction and decay to not only ones surroundings but in fact to ones-self. ...
