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The Beggar


            Jonathan Miller's 1983 adaptation of The Beggar's Opera and John Gay's original theatrical script of the play are both intriguing works of literature. One of the most controversial aspects of the two works is that Miller's version features the death of character MacHeath whereas Gay's does not. In both endings, however, the beggar makes clear in his final lines that aristocratic men of the era simply were not put to death for committing the same deeds that would lead a commoner to be hanged. "Had the play remained as I at first intended, it would have carried a most excellent moral. Twould have shown that the lower sort of people have their vices in a degree as well as the rich, and that they are punished for them."" This line implies that, although the rich were guilty of their fair share of unlawful acts, they often slid through the hands of the law, leaving the poor to suffer its wrath. In the original play, there is an additional scene which is not featured in Miller's production. In the final Scene 17 of Gay's work, Macheath, who is a man of nobility, rejoices over the fact of his not being hanged, the many women with whom he has had relations, and the accepting of the fact that Polly is his wife. "And (if I may without offense) for this time, I take Polly for mine."" Macheath here formally acknowledges Polly as truly being his own, however he ends his line by stating "As for the rest "But at present keep your own secret-, indicating how much of a chauvinist Macheath really is in light of his womanly affairs. It is through the aforementioned lines that I believe author Gay attempts to drive the fact into the audience's minds that nobility at the time was just as guilty and vile as anybody else on the planet of committing sinful deeds; Gay makes fun of how aristocratic men were blatant adulterers. "But think of this maxim, and put off your sorrow, The wretch of today may be happy tomorrow- this line comes straight from the mouth of a nobleman yet openly vindicates adultery as a common outlet for aristocratic men to forget their worries or "sorrows-.


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