Interpretation of a fictitious story depends upon the reader. Fiction can be subjective and evocative. It is "made up," and indirect in its communication. A work of fiction may evoke the emotions of the reader with the thrill of imagining impossible or unavailable experiences or the intrigue with playing out "what if" or" if only" scenarios, or simply observations on the human condition.
We read fiction not to gain new information so much as to experience the ideas and feelings a story inspires within us. Readers have different expectations from fiction and. Emotional involvement is a major issue with fiction. We expect a story to grab us, and even convince us. We will suspend belief when reading a romance novel or science fiction, but demand reason and evidence from that same piece. .
For passing time or sheer enjoyment, of course, simply reading the story can be satisfaction and reward enough. We do not have to analyze everything we read. The point is to be able to interpret when we want to or have to. Fiction can be subjected to analysis and interpretation. We analyze fictional works for recurring themes that reflect on the broader human experience beyond simply following the story. .
Fiction is, by definition, subjective. A novel, story, drama, or poem is the expression of an author's imagination. The characters and situations are "made up." Readers expect fiction to reflect the real world; they do not expect it to portray the real world. And yet fiction can seem very real without being factual. Fiction can be true, however, only in the sense that the actions or behaviors "ring true" with what we know of the world. Events depicted in movies such as Schindler's List, Amistad, or Titanic can appear just as they might have in real life. The sentiment may be real, but the characters and incidents are the fruits of the author's imagination. And author and directors "as in the movies referred to above "often use "dramatic license" to distort history for dramatic effect.
Quentin Tarantino's purpose for this film can be interpreted in many different ways. ... The storyline lets the viewer interpret many different styles and types of rhetoric. ... Also, Pulp Fiction was sort of a change in movies that people hadn't really seen before. ... The theory also has Christian context and Pulp Fiction does as well. ... The theory represents what Quentin Tarantino did when he wrote Pulp Fiction. ...
Although Edgar Allan Poe was the apparent founder of crime fiction, it goes without saying that Sir Arthur Conan Doyle was the establisher of the conventions and expectations that became the crime fiction genre. ... The second and also highly necessary convention of a crime fiction novel is the detective hero. ... He serves the purpose of actively uncovering and interpretting all the clues. ... Most importantly the genre of crime fiction has mystery as its key element. ... The link between the values of society and the conventions of crime fiction has endured in the genre ever since....
Symbolism in Fiction In the same way a painter uses shape, color, perspective, and other aspects of visual art to create a painting, a fiction writer uses character, setting, plot, point of view, theme and various kinds of symbolism and language to create artistic effect in fiction. ... There are many ways to interpret any form of literature. It is that elusiveness which lends strength to fiction. ... The ability to recognize and interpret symbols is essential to the full understand and enjoyment of literature. When symbols do exist, they add yet another dimension to the technically comple...
And following her through the journey - noting her stops and the different ways that her experience can be interpreted. ... Woolf also gives a second interpretation of women and fiction, namely: women and the fiction they create. ... Finally, there is a third interpretation: women and fiction might be interpreted as women and the fiction that is written about them. What is involved here is women as an object of fiction. ... In conclusion the idea of women and fiction brings about many meanings that one can interpret. ...
A scene from the highly popular science fiction film, The Matrix? ... One could go as far as saying that some of these science fiction writers got it right. ... It seems that the current science fictions predict, well, the end of humanity, as we know it. ... Almost all of the popular science fiction texts are concerned with it. ... This is also similar in the science fiction texts. ...
Hard-boiled detective fiction refers to a style of crime writing originating in America, which involves a tough and realistic approach to the genre. Blooming at the end of world war two, it introduced a new aspect of earthy presence and naturalism to the field of detective fiction. ... Day conforms to and challenges the genre of hard-boiled detective fiction through the inversion of the protagonist as a female detective, Claudia Valentine, a central character who pushes the boundaries of the detective fiction genre. ... Readers are able to identify the importance of Sydney not only as a set...
Realism in the fiction in the novel Realism was a literary movement in the last half of the 19th century in which writers opposed much of what the Romantics had stood for. ... The more closely the realist scrutinizes reality and investigates the connections between the events his work describes, the more convincing his reproduction of reality is, for he has not only perceived it emotionally, but has interpreted it and generalized it as well. ... The historians of the novel have seen "realism" as the defining characteristic which differentiates the work of the early eighteenth century novelis...
