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Catcher in the Rye



             Golding embeds essential themes throughout Lord of the Flies and uses Nature to enhance them. Humans need civilization. When civilization does not exist, humans revert to an uncivilized state. From the beginning to the end of the novel, the boys continually take steps down the "civil ladder." At each rung of the ladder, rocks or fires embody the boys" barbarism. Rocks and fires are reminiscent of cavemen behavior. "The storm of sound beat at them, and incantation of hatred jolt in the earth breaking sound of stones." (180) Another theme Golding enhances by nature is power. Golding uses the Conch to represent Ralph's Democratic power. "Piggy still holding out the talisman, the fragile, shining beauty of the shell." (180) The Conch is beautiful in shape and color. The light colors stand for an urbane civilization. Fire, sharpened sticks, rotten wood, primitive engravings in bark and war paint represent Jack's Authoritarian power. Jack lives on the windy and rocky side of the island. He is always associated with sinister colors. In nature, fear is associated with the unknown. During the discussion about the beast, the surroundings are exceptionally dark and gloomy. The boys find viewing beyond their circle exceedingly difficult. The forest, where the beast supposedly lives, is described as dark and mysterious. Nature illustrates and enhances the themes in Lord of the Flies. (190 words; 15 sentences).
             Golding uses Nature as a fundamental ingredient in the development of the plot. The habitat directs the human psyche. In Lord of the Flies, Golding sets up an environment devoid of need for civilization. Golding has the Boys crash-land on an uninhabited island without any ties to civilization. "aren't there any grown-ups no" (21) The island the Boys inhabit has both plentiful meat and fruit. Because the boys have a considerable amount of food, pointlessly slaughtering pigs only magnifies the boys" savagery.


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