" (pg. 47) Even though Raskolnikov is poor, and barely has enough money to support himself, he is willing to give all of his money over to a strange girl. At the same time that he is able to commit cruel acts, he is also able to help someone in need. Raskolnikov helps out Marmeladov, an acquaintance whom he met in a tavern. After a horse and carriage maul Marmeladov, Raskolnikov tries to help by yelling, "Somebody get a doctor! I"ll pay!" (pg. 170) He assists the policemen in bringing Marmeladov to his family. This kind action reveals Raskolnikov's heart, and sets up a strong contrast to his seemingly cold, callous, and self-interested attitude towards life. In Part III, chapter 2 of Crime and Punishment, Razuminkhin describes Raskolnikov to Dounia and Pulcheria as having "two diametrically opposed characters living in him, each taking charge of him in turn." This is revealed through his actions in Parts I-IV and his resemblances to Marmeladov, Dounia, Sonia, Svdrigailov, and Porfiry Petrovich.
Raskolnikov's relationship with the character Marmeladov reveals many similarities, and helps to support the notion that Raskolnikov has two completely different sides to his personality. Marmeladov and Raskolnikov are both extremely self-involved characters. Marmeladov is an alcoholic whose actions are leading him to ruin. Although he in the end he is putting his family and his own life at risk, Marmeladov is unable to change the path of self-destruction he is following. Raskolnikov has similarly in made a choice that leads to him down a destructive path. Both Marmeladov and Raskolnikov are destitute, yet they still feel like they have a "certain inborn nobility of feeling." (pg. 10) Marmeladov feels like even though he and Raskolnikov are in the same financial situation, they both still represent something, and have a reason for living. Both Marmeladov and Raskolnikov feel like they have been cheated by the world, and instead of taking responsibility for their current state of affairs, Marmeladov wonders "how [an] honest job can bring nothing", and he can't understand why he is unable to support his family.
Sacrifice between Raskolnikov and Sonia. ... Raskolnikov is summarized as being intelligent and moody. ... Raskolnikov despises her behaviour along with her very existence. ... Raskolnikov armed with no conscience and a utilitarian mentality, he murders Aliona. ... Because of her forgivness, she is the one who Raskolnikov feels he can confide in. ...
He uses an ironic, mocking tone when he speaks to Raskolnikov, which reminds us of the arrogance Raskolnikov himself shows other people. ... More importantly, she listens to Raskolnikov without passing judgment. ... By the novel's resolution, Sonia is Raskolnikov's savior. ... Porfiry is certain of Raskolnikov's guilt and leads him into confession. Similarly, Raskolnikov's love interest, Sonia play an important role in portraying Raskolnikov as a split character. ...
Most of this insight relies upon Raskolnikov's fear. ... Through his own paranoia, Raskolnikov opens himself to the traps of capture. ... For example, in their first meeting, "Raskolnikov's thoughts were in a whirl. ... Approaching Raskolnikov with warm camaraderie, he tries to lessen tension while lowering Raskolnikov's defenses. ... In a fit of hysteria, Raskolnikov lets his guilt speak for itself. ...
Through use of an article Raskolnikov writes in the newspaper, the antagonist of the story becomes aware of Raskolnikov's justifications. ... "Quite possibly," answered Raskolnikov." ... Raskolnikov's plan had two sides to it. ... Raskolnikov's feelings of superiority made him loath social interactions. ... Dostoevsky introduces Raskolnikov's close friend, Razumikhin, to show the extension of Raskolnikov's isolation. ...
Crime and Punishment The story begins with a guy named Raskolnikov. ... This all upsets Raskolnikov and he goes out to wander the streets. ... Raskolnikov was shocked to hear his own ideas being discussed. ... At this, Raskolnikov responds, You believed me, didn't you? ... Raskolnikov gives Katherine his last twenty rubl...
Raskolnikov rattles his brain with numerous overwhelming thoughts of guilt, pride, and even arrogance. ... After Raskolnikov tells Sonia the details of his horrid crime, he asks what action he should take. ... Sonia knows that Raskolnikov has suffered greatly just by his physical condition and mentality. ... It is also in his tomb where Porfiry Petrovitch, a detective, discloses that he knows Raskolnikov is indeed the murderer; Raskolnikov's insane personality then "dies" upon hearing that he has been revealed. Dostoevsky was certainly correct in his description of Raskolnikov's ...
Raskolnikov rattles his brain with numerous overwhelming thoughts of guilt, pride, and even arrogance. ... After Raskolnikov tells Sonia the details of his horrid crime, he asks what action he should take. ... Sonia knows that Raskolnikov has suffered greatly just by his physical condition and mentality. ... It is also in his tomb where Porfiry Petrovitch, a detective, discloses that he knows Raskolnikov is indeed the murderer; Raskolnikov's insane personality then "dies" upon hearing that he has been revealed. Dostoevsky was certainly correct in his description of Raskolnikov's ...
Initially, Raskolnikov's conflict is whether or not he should murder the pawnbroker. ... The characterization of Raskolnikov differs from how he wants to see himself. ... However, Raskolnikov's murderous act, and his failure to confess, prove his "superman" theory wrong. ... In Crime and Punishment, the cross symbolizes Raskolnikov's "sacrifice" to confess to his sins. Raskolnikov's conflicts shape the novel. ...
They debate whether Raskolnikov's motives justified his actions. ... Raskolnikov places himself in the category of being an extraordinary man. ... Raskolnikov believed he had a lot to contribute to society. ... In a sense, Raskolnikov is playing God. ... Raskolnikov even realized the evil in his actions by the end of the story. ...
