However, because of fear, these people are reluctant to help with the investigation.
Agent Anderson is a former sheriff of a small town just like the town where Mississippi Burning is set. When agent Ward asks Anderson how it is that people feel this strong hatred towards those of different ethnic backgrounds, Anderson tells a story of when he was a little boy. His father had asked him how he was doing after he had injured himself. Anderson replied that he was not good. His "daddy" responded "If your not better than a nigger, how good are you." Anderson was attempting to explain where these strong beliefs come from. Children are easily influenced by the actions and conversations of those around them. This is especially the case when one considers the influence that parents have over their children. The beliefs of the parents are in-grained in their children from the moment they are born. In these small communities, the perspective of the information that they are exposed to is one sided. They watch the local news and read the local newspaper. The information is gathered and reported by those who are fearful of the Ku Klux Klan, or those who are members of the clan themselves. .
The example in the previous paragraph is further supported by the local community's belief that the government has begun a conspiracy. This conspiracy theory was started in the Sheriff's office. This goes to show that people are influenced by positions of authority. In these towns, as it is pointed out, the Sheriff's word is "gold." .
Another issue that is raised in Mississippi Burning is the issue of widespread fear that exists throughout the community. This fear is felt by those of African decent and by those who are white. The blacks fear lynch mobs and firebombs. Any white person who supports the civil rights cause fears the Klan. The Klan will kill anyone who acts in the interests of civil rights.
Mississippi Burning Essay In the movie "Mississippi Burning" many aspects of our civil rights unit were key points in teh movie. ... In conclussion, "Mississippi Burning" was a good example of how our civil rights unit ties in with what really happened in 1964. ...
"Mississippi Burning": Fact versus Fiction In the movie "Mississippi Burning" we see a dramatized version of a non-fiction event that occurred in Mississippi in 1964. ... The three young men were in Mississippi as volunteers to help and register African Americans to vote. ... There was little played out in the movie "Mississippi Burning" about the activists, but through out you hear a little more about them. ... After reading information about the Mississippi Burning trail that took place after the bodies were found and people were arrested, the real heroes, besides the activists, were the...
Mississippi Burning is a thought provoking and deeply moving piece of work that becomes an ideological statement. In this essay, I will analyze the film Mississippi Burning as a representation of intercultural communication. ... (Need to add more here) In 1964, one of the most violent years in U.S. history, in the state of Mississippi, three civil rights activists, two white men and one black man, on the road out of the town of Jessup suddenly disappear with a trace. Two FBI agents are sent in to the racially torn community to investigate the case: Alan Ward, in charge of the investigatio...
In the film, Mississippi Burning, the director, Alan Parker uses filmic codes to represent different values and attitudes towards racism in the 1960's in Mississippi. ... In Scene one of Mississippi Burning the director uses different types of filmic codes to show the Ku Klux Klan Members sneaking into Arron's Farm. ... In Scene 2 of Mississippi Burning the director uses different codes such as technical, audio and symbolic to show racism. ... These Filmic Codes show that there was racism in the 1960's in Mississippi. ... All of these Filmic Codes show that there was major...
Colonel Sartoris Snopes, who is called "Sarty" by his family, is a major character in William Faulkner's "Barn Burning." This young boy of about ten finds himself in the position of being expected to lie to protect his father from punishment for burning the neighbor's barn. ... In "Barn Burning" Faulkner writes about the relationship between a father and his son in both the hereditary and the spiritual sense. ... This did not affect Sarty because he decided to sever the old Mississippi restrictions and fallow new paths. ... Sarty's struggle is with his own heart, the hearts ...
The state of Mississippi wouldn't agree to free the black people. So the war broke out and members from the Ku Klux Klan started killing black people and burning black people houses down. ... On the 13th of June 1963 Mississippi's most well known black leader was assassinated outside his home in front of his wife and 2 children Medger Evans, the most famous and trusted black person in the whole state of Mississippi at the time had been shot in the head by a Ku Klux Klan member. During June 1964 Bob Moses and the council of federated organizations announce the Mississippi summer p...
"Barn Burning" William Faulkner (1897 "1962) was an American novelist who was born in New Albany, Mississippi. ... The story "Barn burning- by William Faulkner, at a glance appears to concentrate mainly on the character of the young boy Colonel Sartoris Snopes (Sarty) and his inner conflict. ...
Life in the 1950's and 60's Coming of Age in Mississippi, is basically Anne Moody's autobiography from the beginning of her life, into a family of poor black share-croppers through High School, College, and finally her very active involvement in the Civil Rights movement in the 50's and 60's.This powerful and very informative autobiography from Anne Moody vividly documents the discrimination many African Americans had to face in the South in the 1950s. ... Her passionate fight against racism encounters many obstacles, such as finding her name on a KKK "wanted" list,...
The earliest men's blues recordings, even including those of pre-blues-music artists like the Mississippi Sheiks, did not begin until 1924, and the floodgates only really opened in 1927. ... Other Mississippian bluesmen such as Skip James, Mississippi John Hurt and Tommy Johnson also developed their own gripping, individual styles. ... Like Blind Willie, he too was on the road frequently, and like Robert Johnson, he soaked up elements of a number of styles (including Mississippi Blues), making them part of a powerful, personal style. ... He also came from Mississippi, but by way of Arkans...
