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Merce Cunninhamm


            Merce Cunningham is a choreographer, dancer, company director, and .
             As a result of his varied education and love for .
             dance, he was able to create a type of modern dance that many people have .
             accepted. .
             .
             Mercier Philip Cunningham was born April 16, 1919 in Centralia, .
             Washington. His first dance teacher, Madame Maude Barrett showed him her love .
             of dance, which inspired him to continue with it, she was so excited about teaching .
             dance, it was contagious. He attended Cornish School of Fine and Applied Arts in .
             Seattle during 1937. There he met John Cage which he would later choreograph .
             dances with. A couple years later, he was a member of the Martha Graham Dance .
             Co. until 1945. Merce's first world tour was in 1964. During his lifetime, he also .
             studied with George Balanchine at the American School of Ballet. .
             The best way to describe Merce Cunningham's dance is, just as modern is .
             an alternative to ballet, his dance is an alternative to traditional modern. He was .
             once called "a revolutionary, an innovator and perhaps, the antithesis of traditional .
             modern dance". Cunningham is also famous for creating a 'chance dance'. It is .
             exactly as it sounds, he would choose cards and they would show the steps of the .
             dance. He did not want his dances to be predictable or, thought out, not even to .
             him. This technique also opened up new ideas, movement, and styles of dance. .
             The way he explains it is, "you look at what it is, and you see something else that .
             you can do, which you had not thought of before". Since Cunningham was so .
             involved with the dance aspect of performance, he did not do much with scenery, .
             lighting, or costumes. It was not that he could not, he wanted to leave that out, he .
             just thought it was not necessary. He trained his dancers to dance, not deal with .
             lighting, scenery, or bulky, uncomfortable costumes. Often, the music for his piece .
             would be introduced to the dancers a couple of days before a performance.


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