Merce Cunningham is a choreographer, dancer, company director, and .
            
  As a result of his varied education and love for .
            
dance, he was able to create a type of modern dance that many people have .
            
accepted. .
            
	.
            
	Mercier Philip Cunningham was born April 16, 1919 in Centralia, .
            
Washington.  His first dance teacher, Madame Maude Barrett showed him her love .
            
of dance, which inspired him to continue with it, she was so excited about teaching .
            
dance, it was contagious.  He attended Cornish School of Fine and Applied Arts in .
            
Seattle during 1937.  There he met John Cage which he would later choreograph .
            
dances with.  A couple years later, he was a member of the Martha Graham Dance .
            
Co. until 1945.  Merce's first world tour was in 1964.  During his lifetime, he also .
            
studied with George Balanchine at the American School of Ballet.  .
            
	The best way to describe Merce Cunningham's dance is, just as modern is .
            
an alternative to ballet, his dance is an alternative to traditional modern.  He was .
            
once called "a revolutionary, an innovator and perhaps, the antithesis of traditional .
            
modern dance".  Cunningham is also famous for creating a 'chance dance'.  It is .
            
exactly as it sounds, he would choose cards and they would show the steps of the .
            
dance.  He did not want his dances to be predictable or, thought out, not even to .
            
him.  This technique also opened up new ideas, movement, and styles of dance.  .
            
The way he explains it is, "you look at what it is, and you see something else that .
            
you can do, which you had not thought of before".  Since Cunningham was so .
            
involved with the dance aspect of performance, he did not do much with scenery, .
            
lighting, or costumes.  It was not that he could not, he wanted to leave that out, he .
            
just thought it was not necessary.  He trained his dancers to dance, not deal with .
            
lighting, scenery, or bulky, uncomfortable costumes.  Often, the music for his piece .
            
would be introduced to the dancers a couple of days before a performance.