.
This of course does not mean that the Cid is a coward. In fact, his bravery is legendary. However, he has achieved fame and honor, and allows his vassals to do the same. Minaya often asks for the distinction of leading a second wing of the attack in battle. The Cid's willingness to accept this plan proves Minaya's loyalty, especially since he never becomes boastful or arrogant, as well as the Cid's generous nature to his vassals. .
The Cid's central duty in the poem, however, is as a vassal and champion of Alfonso. It is interesting to note that when Garcia Ordonez questions the Cid's exploits, Alfonso counters by saying that Rodrigo is doing him more honor that Garcia, by conquering, however savagely, Moorish lands. Even before he agrees to the Cid's return, Alfonso admits that the Cid is acquitting himself marvelously. When he does return the Cid to favor, he constantly acknowledges the greatness of his conquests. He even allows him to name the time of meetings, and in many ways treats him as an equal, rather than a relatively low-born vassal. .
Of course, the real Alfonso treated the real Rodrigo much less favorably, constantly believing the Cid's enemies and not trusting him. The changes made by the poet are understandable in an historical context. Although the date of the poem's recording is open to speculation, it is certain that the time was a politically dangerous one. Alfonso VII had been able to reconquer much of Spain because the powerful Islamic Almoravide Empire was faltering. Later, however, the Islamic threat was renewed, and the Christian princes fought amongst themselves. .
The poet, then, saw in the Cid an opportunity to create hero who would exemplify the heroic virtues that seemed to be lacking in contemporary society. The Cid is loyal almost to a fault. He typifies a brutal, vengeful Christianity. By offering an ideal of the kind of behavior the poet wished was more common, the Cid is presented as a hero perfectly suited to medieval Spain.
