es and then naturally spread to the United States. This movement resulted as images were made popular through mass-media advertising and comic strips, and other everyday objects, such as pop bottles, beer cans, and other supermarket products. The images were then presented in bizarre combinations, distortions, or exaggerations in size. The original human-made object is always kept in its true form in some way. (Art Fundamentals, 305) The introduction of American Pop art resulted in a major reaction against abstract expressionism, which had dominated painting in the United States during the later 1940s and 1950s. During the later 1950s, there were many indications that American painting would return to a new kind of figuration. Pop art brought art back to the material realization of everyday life, to popular culture in which ordinary people derived most of their visual language in what perceived to be the real world of shopping, movie stars, and car advertisements. The term “pop art” was first used by Lawrence Alloway, a well-known critic of the art period. He used the term to describe those paintings that celebrated post-war consumerism and defied the psychology of Abstract Expressionism. This was thought of as an art that gave off a natural appeal to American artists, living in the midst of an industrial and commercial environment. Thus, the result was a more bold and aggressive display of art and advertising

Some topics in this essay:
Andy Warhol, Abstract Expressionism, Allen Jones, Electronic Encyclopedia, American Pop, John Kennedy, Twenty-Five Marilyns, Lawrence Alloway, pop art, , “pop art”, Art Fundamentals, subject matter, everyday objects, abstract expressionism, world pop art, allen jones, women “pop, world pop, andy warhol, women “pop art”, comic strips,