1. Visual Pleasure and Narrative Cinema by Laura Mulvey
... audience. She goes on to state that the cinematic gaze that is presented to the audience is always a masculine gaze, and women are always the object of viewing, but never portrayed to be the bearer of the gaze. Mulvey addresses Freud's theory of scopophilia to supplement her arguments on the mechanism of objectifying the images on the screen. The pleasure that arises ... ; qualities. Jeffries, in addition, is rendered immobile throughout the film, which forces him into a position of dependence on Lisa. Furthermore, Mulvey's descriptions of the ego and its role in producing pleasure throu...
- Word Count: 707
- Approx Pages: 3
- Has Bibliography
- Grade Level: Graduate