Art Nouveau (1880's-1914) Art Nouveau is an elegant decorative art style characterized by intricately detailed patterns of curving lines. Somewhat rooted in the British Arts and Crafts Movement of William Morris, ... , and the American glassmaker Louis Comfort Tiffany. Art Nouveau remained popular until about the time of World War I, and was ultimately replaced by the Art Deco style. Impressionism - French and American (1860's-early 1900's) A movement in painting that originated in France in the 1860's. Impressionist painters celebrated the overwhelming vision of ... to describe a variety of ...

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... Cézanne amazed Picasso in that the different shapes gave so many possibilities in representing different people and objects. Picasso was becoming very successful using the ideas of Impressionists. His style changed, for the better, when he took a painting holiday at Gosol in the Pyrenees. The pictures he worked on there and after his return to home showed two new important ... in the foreground is presented from several sides at once. Cézanne's influence is seen in the geometrical angles and planes that would lead the critics to call Picasso's new style "Cubist-. This painting marked ...

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... lead to the first independent Impressionist exhibition in April of 1874. The main purpose for the exhibition was not only to promote the new style in art but also to escape the restrain held by the Salon and exhibit their works freely and also to the working classes. They ... and ideas of the viewers, but also still after enormous aesthetic value with the use of intense distortion, exaggeration and fantasy. It is a style which desires to expose subject matter as an expression of the inner state of the artist. Expressionism really took off in 1910 in Germany and ... de Vlaminck, Georges R...

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The idea of simultaneity, geometricity, and passage being integrated into art started just before the 20th century. This style of art was, however, just an idea and didn't become an art form until the early 20th century, in which it came to be known as Cubism. Cubism was the ... than during the entirety of the renaissance era. Artists saw that the western traditions in place had their run but were not fitted for the time anymore and that a new style needed to take its place. This era is characterized as a time of new perspective and generally a different way of seeing things. Cubism perfectl...

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... current architectural criticism, the term formally and effectively describes the rejection of orthodox Modernist purity in favour of an updated Neo-classical ornamentation. Like art Deco, the last major international style, Post modern blends art history and new technology with a decorative tendency to achieve a broad-based commercially acceptable look. Characteristics include: kinetic geometry featuring floaty forms, randomly placed blips and lines ... , multiple fragmented lines and layered imagery, discordant, letter spaced typography and frequent references to art and design history....

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... dignity through the balanced arrangement of its" elements and the contours of its" figures. In Modernism the period dating from roughly the 1860's through the 1970's is described as they style and ideology of art produced during that era concerned primarily with essential qualities of color and flatness and as exhibiting over time a reduction of interest in subject matter. Paintings such ... Eduard Manets" Le Dejeuner Sur I"herbe are a clear example of modernism. Cubism is an art form derived from modernism and said to be invented by Pablo Picasso who invented a new style of painting, f...

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... corruption of Louis the XVI's of France. Jacques-Louis David, Angelica Kauffman, and Jean-Auguste-Dominique Ingres all were leading neoclassical painters. David gave France a new look. Kauffman brought this style to the English eye. Ingres was one of David's students and his forms were smooth and sculptural with flattened space. Impressionism started as a group of young artists who were against ... the French art establishment known as the Academy. Although many of the artists had different styles they all were against the Academic style and the subject matter. They were more into natur...

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... inspired Matisse to experiment with his work, more then ever. Furthermore, artists such as Paul Gauguin, Paul Cezanne and Vincent Van Gogh appear to have had a profound effect on Matisse's style. Later on, the pointillist technique used by Henri Edmond Cross and Paul Signac also proved to have a great influence on his work. The first and most prominent of the design ... principles is pattern. Pattern is evident on the tablecloth and on the back wall, occupying most of the composition. The pattern itself is an oriental-style design with branches weaving in and out amongst decorative flow...

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... 1905 and 1906 Salon d'Automne, where their paintings created a sensation, leading one critic to refer to them as "Les Fauves" or "wild beasts." By 1909 Matisse shifted to a more serene style in paintings, executed with broad color planes, simplified structures, and idyllic subjects. Matisse's first sculptures were created during his student years. Not surprisingly, his earliest figures were copies after small ... ...

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... to do with Western traditions or civilized experiences. The African type of art had a very literal representation of nature. As far as figure went, these artists were drawn to that style too. It features mask like faces, short or elongated limbs, wide torsos, and sexual parts. I feel that it is quite ironic that the Europeans came in and westernized the African ... ...

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... that could be built up by the use of pure unbroken colour. They tried to create those 'emotional shocks', those flashes of intuition like the images seen by a poet while writing a poem. The Fauves rejected the traditional uses of colour and sought instead new functions. They already believed that the artists presentation of his emotions or subjective reaction to the subject ... ...

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