1. Mulvey and Latin American Cinema
... Magic Mike XXL-there may be hope that contemporary narrative cinema has found a way to free itself from phallocentricism and objectification of its female characters. Four contemporary Latin American films, Memories del Subdesarollo (1968), El Mariachi (1993), Amores Perros (2000), and El Yuma (2012), seem to show the transition of cinema into an era where female roles are not subjected ... as a result of inherent patriarchy in cinema, it does nothing to subvert or contest it. We are still, in a very dramatic way, subjected to a highly misogynistic male gaze and through these women view...
- Word Count: 4301
- Approx Pages: 17
- Has Bibliography
- Grade Level: Undergraduate