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The Moon in It's Flight by Gilbert Sorrentino

 

Throughout the story we also read many reflexive comments on life, on literature, on the romance, on the relationship, and on fiction in general. .
             In Sorrentino's story, the reader may also observe many instances in which the narrator makes decisions while the story is being told, which we may consider "performative utterances ", since the narrator spontaneously decides where characters will be or what they will wear while narrating: "I'll put her virgin flesh into a black linen suit, a single strand of pearls around her throat," or "I put the young man into 1958. Furthermore, the narrator anticipates what is going to happen next, for instance when we read: "Now I come to the literary part of this story, and the reader may prefer to let it go.". This postscript offers something different, something finely artificial and discrete.and "I grant you it'll be unbelievable." Sorrentino's works are characterized by a strong focus on the language rather than on the narrative of the stories. He considered that the form of language is more important than the content and that, in fact, the form invents the content: "Form not only determines content, but form invents content." .
             This story in particular is very descriptive and small details are given on every possible occasion, for instance we read: They were at the amusement park at Lake Hopatcong with two other couples. A hot and breathless night toward the end of August, the patriotic smell of hot dogs and French fries in the still air. Thin and cranky music from the carrousel easing through the sparsely planted trees down toward the shore. She was pale and sweating, sick, and took her back to the car.Thus, while the narrator is telling the story, the flow of the narration is interrupted to mention a detail that may add to the whole picture or create the climate of the forthcoming situation. .
             Due to his interest in the importance of language and his involvement in metafiction, we may consider Gilbert Sorrentino a post-structuralist writer.


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