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Movie Legend - Marilyn Monroe


            Many film buffs around the world would describe blonde bombshell, Marilyn Monroe as "irresistible." With her impish charm, Monroe set many men's hearts on fire and stole thunder from her contemporaries. "Photographs have been produced under such circumstances that they were physically forced to correspond point by point to nature"" (Berger 1984). In contrast, images of Marilyn Monroe have been plastered all over the world with little or no variation. She was a product manufactured by the press and movie industry who went overboard after her tragic death in 1962. Mercenaries have either torn her to shreds, or catapulted her to dizzying heights, all with a view to the acquisition of gain. What remains to day is a lucrative growing industry trading on her memory or the myth that was supposedly Monroe "an iconic sign" of the 20th century.
             In semiotics, a sign is "the marriage between the signifier and the signified" (Smith 1964) and the image of Monroe, is a quintessential example of this relationship. She was the representation of the female body in classic Hollywood cinema. The sexual pose in this image, her extreme whiteness and make-up, and her peroxide blond hair bear witness to a new born fetish for woman. It gives conduct for analysing her and her myths, which are encoded in her image. Her image as the signifier provides the whole meaning and concept of herself, a denotation that was simply Monroe. At a connotative level, however, her cosmetic and artificial expression in her photograph also holds an element of masquerade. Her image creates a marvel that captures the eye and distracts it from what was hidden underneath, bolstering her image as "the luscious, undulating brainless female" (Victor 1999). Fetishising Monroe's photograph deflects attention from female 'lack' and changes her from a dangerous figure into a reassuring object of flawless beauty. There are some aspects of an image that we think of as non-representational, actually function as symbolic signs and often carry connotative meanings; for example pink for femaleness and black for evil.


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