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Masquerades and The People Who Stare


            Nathanael West's "The Day of The Locust," tells the story of a man named Tod Hackett who moves to Hollywood to be a set designer. While in Hollywood he meets a slew of new people who intrigue and confuse him. In the first chapter of the book, he begins to create a distinction between the two types of people who live in Hollywood: "masquerades" and "the people who stare." Throughout the book, Tod notices details in each character which lead us to believe they fit into one of the two groups. As the story develops we discover how these two categories of people both aid and hinder each other. .
             In the second scene of the book, Tod notices a few people who he finds to be quite oddly dressed. He notices a woman dressed in a yachting cap, only to be going shopping, not boating. He notices a man in mountain climber gear while leaving his job at an insurance office, not returning from a mountain. Finally he notices a woman dressed as if she had just left a tennis court, instead of the switchboard she had returned from. The elaborately dressed cluster paraded around town like mirages in a desert. Their dress indicated that they wanted to mimic a certain lifestyle that was not true to their own lives. Instead of following their dreams to find fulfillment, they simply dressed the part. For these images they embodied were not technically their own personal dreams, but merely projections they assumed would evoke the staring they yearned for. He referred to these people as "masquerades." .
             Across from the high paced masquerades, he noticed a crowd of a different kind. Instead of flouncing around, looking for attention, these people lurked in the shadows and examined the masquerades. They were dressed modestly, almost boringly, and if ever their stares were mirrored they became enraged. The people who stare are disgusted yet fascinated by the masquerades. The starters realize that the charm of celebrity life is contrived yet still find themselves amused and almost jealous of the false happiness of which it projects.


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