1.490) Both characters are headstrong warriors; the epics do relate their preeminence in battle. Neither man is concerned with family life nor with romantic relationships with women, such things have no place in the epic hero's life. The major relationships in each hero's life are with their mother, to whom they look for advice and protection, and with their heroic partner. It is from these relationships they gain the most wisdom and development. .
The characters Enkidu and Patroclus are outwardly similar, static sidemen, although they perish in different ways, it is primarily their deaths that mold the lasting character and fame of their leader. Enkidu does develop more than Patroclus, and this may mean that he is a more complex character, or it may mean that the background and character of Patroclus was simply well-known in the epic tradition and the necessity to explicitly develop him in the Iliad which is extant did not exist. What we know about Enkidu is more satisfying. Enkidu was created by the gods as a rival to Gilgamesh, and is therefore younger. Gilgamesh was terrifying his subjects and the gods created Enkidu to "be a match for the storm of his heartso Uruk may be rested" (Gilgamesh 1.98-100). Enkidu lives in the wild, uncivilized, and runs with the beasts. On the other hand, Patroclus comes to Phthia with his father Menoetius after accidentally killing a friend in a game of dice in order to find refuge and escape persecution (Il. 23.100). Both characters then are in their early life are violent, although they are not necessarily at fault for that violence, but it will shape their lives. They are also in a sense uncivilized, Enkidu literally, and Patroclus because he has killed another human being for no reason and then fled that particular civilization's jurisdiction to escape the consequences of his action. Both characters are also lower in rank than their leaders, who are both kings and semi-divine.