Most people have heard the phrase "honesty is the best policy". The play A Streetcar Named Desire illustrates this phrase through the experiences of Blanche Dubois. Throughout the entire play, Blanche DuBois is completely dishonest with the rest of the characters. She is ultimately committed to a mental institution. Blanche's dishonesty and other mental and emotional problems became so severe that Stanley and Stella had no choice but to commit her.
Blanche is obviously very insecure about herself. Hiding your true physical self is a form of dishonesty, which Blanche strives to do the entire play. She avoids standing in well-lit areas to hide herself, despite the fact that she is a good-looking woman. When talking to Mitch for the first time, Blanche says, "I bought this little colored paper lantern at a Chinese shop on Bourbon. Put it over the light bulb! Will you, please" (55). Blanche feels uncomfortable with her looks and feels that she must hide them from other people. Also, she never divulges to her own age because she is so insecure about it. She sees herself as an aged old maid, which she is not in the least bit. Blanche hides her physical qualities because it is in her nature to not let people know the truth about her.
Blanche's string of fabricated stories can be found in the very beginning of the play. When Blanche arrives at the Kowalski residence, she informs Stella that she is on a leave of absence from teaching. It was soon discovered that Blanche was not on a leave of absence, but rather was fired from teaching. "They kicked her out of that high school before the spring term ended-and I hate to tell you the reason that was taken! A seventeen year old boy-she"d gotten mixed up with!"(101). She had a sexual incident with one of her students, which also displays the despicableness of her character. It takes a very immoral person to commit an act like that. Then Blanche didn't even attempt to deal with it emotionally, instead she pretended as if it never happened.
Tennesee Williams' Use Of Stage Effects And How They Change A Streetcar Named Desire Tennessee Williams' A Streetcar Named Desire is mastery of the use of lighting, setting, and sound to add to emotion and meaning to a play. ... It seems that the minor details of music, sound effects, lighting, and setting were actually some of the most important points of A Streetcar Named Desire. ...
In A Streetcar Named Desire the part that Tennessee Williams' life plays in the text is fairly large. ... His father withdrew him from university to work at the International Shoe Company, where he met Stanley Kowalski, who Tennessee Williams' has plastered all over A Streetcar Named Desire. ... Quoting A Streetcar Named Desire: The Playwright (http://hipp.gator.net/scarplaywright.html): 'He was noted for bringing to his audiences a slice of his own life and the feel of the southern culture. ... A personal interest/experience in the themes/issues and characters would not have...
The purest language of plays" - just by studying 'A streetcar named Desire" the reader can identity the numerous symbols Williams' uses to add depth to the plot as well as unveil his characters' personalities, strengths and weaknesses. ... Light, animal characteristics, music and the streetcars Desire and Cemeteries are symbols that Kazan puts emphasis on in the film just as Williams does in the play to lead up to the climax of Blanche's disintegration into insanity and Stanley's brutal triumph over her. ... "They told me to take a streetcar named Desire and then tr...
Tennessee Williams A Streetcar Named Desire- Tennesse Williams is known as one of the greatest American playwrights. ... Among his most notable and successful plays were "The Glass Menagerie-, which he refers to as "memory play-, "A Streetcar Named Desire-, "The Rose Tatoo- and "Cat on a Hot Tin Roof- for which he was appreciated winning the Pulitzer Prize. ... "Streetcar Named Desire- which was firstly entitled "The Poker Night- emerged right after the theatrical success of "The Glass Menagerie- when the authour learned to play poker game. ... The moment Blanche appea...
That play was A Streetcar Named Desire. ... It is no surprise that Williams again turned to Mielziner to design A Streetcar Named Desire. ... Thanks in large part to A Streetcar Named Desire, the duo of Mielziner and Williams helped to change theatre. ... At the time of A Streetcar Named Desire, "it was more like an accusation" (Murphy 1). ... When it came to A Streetcar Named Desire, Kazan's collaboration did not come cheap. ...
" A Streetcar Named Desire" by Tennessee Williams Bruce, Smith. ... "It's a French name. ... She tells him the origins of her name, which she treasures. ... "A Streetcar Named Desire" did not grab my attention at all. ... "A Streetcar Named Desire" was written in 1933, and many things have changed since then. ...
Viewing of A Streetcar Named Desire Although the basic story line is the same in both the book and the live play of A streetcar Named Desire, some things were different. ... For the most part, reading A Streetcar Named Desire was very similar to the live performance. ...
In the play "A Streetcar Named Desire" by Tennessee Williams, there are several prevalent themes. ... This is allegorically represented through Blanche DuBois's riding of the streetcars named Desire and Cemeteries. ... In "A Streetcar Named Desire", Tennessee Williams states that one can not shield himself from the harshness of reality by creating a fantasy alternative. ... This desire for physical relationships brought her to a more troubled state of reality. ... Tennessee Williams uses his play "A Streetcar Named Desire" to demonstrate the problem one faces with creating a fantasy...
Tennessee Williams uses symbols to help communicate his ideas in A Streetcar Named Desire. ... Clothing is a recurring symbol in A Streetcar Named Desire. ... Death, as told by Blanche, is the opposite of Desire, and Blanche wishes to be desired. ... The streetcar named Desire leads to a streetcar named Cemeteries, and both of the most important characters suffer death in one way of another. Without this desire, this play would be completely different and have less meaning. ...
