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Ancient Egypt Greece and Rome


            The aim of this essay will be to show through comparison and discussion of specific examples, how the ancient civilizations of Egypt, Greece and Rome differ in their in their furniture design. More specifically discussing three examples from each civilization and how their designs differ in function, form, structure and embellishment. The different influences of "status, power, proportion and perfection," will be brought in as well as the effects of religious beliefs, environment, and availability of materials, techniques, and trends.
             The examples to be discussed are Tutankhamen's Ceremonial Chair form Ancient Egypt, the Klismos Chair from Ancient Greece and the "Sella Curulis" (a folding chair) from Ancient Rome. These examples have been chosen, because they demonstrate well the traits, culture and daily life of their particular nation. They also give very good insight into how the people who made the chairs approached design and how the different surrounding that these designers were in influenced their decisions.
             The examples will be analysed and placed in context each separately, with attention brought to their own individual features, styles and the reasoning behind them. .
             The first example to be discussed is Tutankhamen's Ceremonial Chair, from Ancient Egypt. This chair was found in the elaborate burial chamber of Tutankhamen who was a pharaoh (i.e. ruler) in Ancient Egypt. The Egyptian society was one of a strong hierarchy and the pharaoh was the most important, in fact the Egyptians even believed him to be a god. They also were obsessed with the after life and believed people needed their earthy possessions for this after life, hence burying it with them.
             (Online: MSN: Encarta). They also believed strongly in pleasing their wide variety of gods through sacrifices and rituals. This is what they lived for.
             The illustration of the chair is a reconstruction, because it was originally constructed of wood that was covered with gold (Desroches, 1969:293) and obviously with time the wood deteriorated, but the gold plating was left for the reconstruction (Brunt, 1985:44).


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