Through his negotiation of these hardships, he repeatedly found that he was either an underdog himself, or was representing the underdog. This position forced Drummond to develop a certain self-confidence and faith in himself that would transcend, and exist independently from, the opinions of others.
Serving as a foil for Brady, Drummond's character seems relaxed and personable. His delivery in the courtroom differs greatly from that of Brady, and his sense of humor allows him to maintain a degree of flexibility and perspective in any number of situations. The search for truth also remains central to Drummond's character throughout the play. His story of the Golden Dancer addresses his desire to seek the reality beneath the guise in all his life experiences, a lesson he shares with Cates.
Henry Drummond's character, unlike many others in this play, remains consistent throughout "he is static. While he certainly has significant influence on many other characters, in many cases causing them to become dynamic, he remains fairly consistent in his morals, mannerisms, and perspectives throughout the play. In fact, his status as a static character only reinforces Lawrence and Lee's effort to portray him as a man certain of his own convictions.
As the scene opens, Matthew Brady approaches Henry Drummond, who is rocking peacefully on the front porch of their hotel. The tone between the two men is light and friendly and the bland music playing in the background helps to portray the easiness of the scene. The opposing lawyers converse in a genteel manner, unlike their relationship in the courtroom. In response to Brady's observation that the two old friends have drifted apart, Drummond says, "maybe it's you who have moved away by standing still" (Inherit the Wind). Drummond implies that Brady's religious beliefs are narrow and stagnant, preventing him from considering any of the scientific discoveries of the twentieth century.