I can hear the distant moans of a cold engine as it crawls up the frozen, black asphalt of the .
I can see, in the distance, the faint yellow lights of the hearse, as it peers .
over the rolling humps of the road, and makes it's way through the thick damp fog. As the car .
approaches its headlights stare me down as a lion would stare down its prey. I listen to the sound of .
crunching fall leaves as the weighted down hearse tramples over them with its soiled tires. The .
blackened windows of the shinny hearse stop in front of me, and the door closest to me is thrust open. .
A long, slender leg, covered with a black see-through stocking, steps onto the frost-bitten earth directly .
in front of me. A woman of widowed stature now stands before me, amongst the fog, as if to hesitantly .
say something to me, but doesn't. She watches attentively as the four men, who are appropriately .
suited in black trousers with brilliantly colored brass buttons, gently lift the coffin from the hull in the .
back of the vehicle. The hearse rises an inch or so above the tires, due to the strenuous weight of the .
beautiful silver coffin. A faint shiver whips through the chilled wind as the frozen handles of the coffin .
are reluctantly grasped by the eight men in black trousers with brilliant brass buttons. I watch without .
blinking, as the mysterious woman fallows the men in rhythmic step towards the grave yard. Sounds of .
marching and bristling leaves pass through my wind scorched ears. The coffin that is so gracefully .
carried is, in the same manner, placed on the taunt, yellow straps of the frost covered, casket lowering, .
platform.
A tall, and grossly thin man approaches from behind the wall of grief-stricken relatives. The .
pale flesh of his face hangs tightly to his definite cheek bones. His eyes are hidden behind the purple .
bags protruding from under his sunken eyes. He is dressed in an all black attire with the exception of a .
On the other hand, a graveyard is a track of land or enclosure for the interment of the dead. ... Graveyard can also be associated with a cemetery, churchyard and a necropolis. ... God's cruelty can be displayed through a graveyard because a graveyard symbolizes death. ...
"Graveyard flowers who spoke softly of the names of the dead," written in "The Scarlet Ibis," hinted that there was a nearby graveyard filled with deadly air. ... The feeling of life in the air was also shown when James Hurst, in "The Scarlet Ibis," described a graveyard flower blooming. The graveyard flower blooming was a sign of life flowing through it, and there would also be a death for the flower in addition to the feeling of death brought on by the flower itself. ...
In his poem In a Disused Graveyard, Robert Frost uses tone and irony to slowly reveal the theme of man's relationship with death. ... The graveyard draws the living still/ but never anymore the dead," (lines 1-4) clearly illustrates the background. ... This village still stands only as a token of death; the visitors journey to the graveyard only to glimmer at the lives of others. Throughout the poem, Robert Frost uses a cheerful rhyme scheme with short and long i's (hill with still, and rhyme with time), and he talks about the theme in a mocking tone with oxymorons (grassy tread,...
The Adventures of Tom Sawyer Summary Chapter 5 Murder at the Graveyard That Monday night, around 11:00 P.M.,Tom and Huck sneaked together to the graveyard to bury the dead cat. Tall grass grew everywhere in the graveyard and enormous trees tangled the oldest graves in their roots. ... They both swore they wouldnt tell what they had seen at the graveyard. ... Petersburg knew that Doc Robinson had been killed out at the graveyard. ...
A voice on the other side warned Mary that if she didn't come to the graveyard within ten minutes, her brother would die. ... After unlocking her bike, she cycled as fast as she could to the graveyard through the dark and slippery night. ... Mary and Lachlan were at the graveyard. ...
Hell, on the other hand is just a few short steps away in the fog shrouded graveyard. ... The townsfolk understand the grave consequences and take great care not to move toward the graveyard and what lies within. ... An Indian appears from the fog of the graveyard, he beckons to the gunman, showing him the path he must follow. We see the gunman fade into the fog of the graveyard and know that there is a terrible place called hell inside. ...
Also, another important factor that affects the plot is when Chillingworth goes to gather herbs to heal Dimmesdale from the graveyard. Hawthorne describes the graveyard in detail to show Chillingworths evil heart, and also to foreshadow the death of Dimmesdale. ... By using the eerie setting of the graveyard, Hawthorne strengthens the plot development by foreshadowing death and evil in the relationship between Chillingworth and Dimmesdale. ... When Dimmesdale and Chillingworth move in together, their house is right next to a graveyard. ...
One of these contrasts occurs in 5.1, in the graveyard. The common reader has preconceived perceptions of a graveyard. ... Before the graveyard, Shakespeare created a dramatic scene which consisted of Queen Gertrude telling Laertes that his sister, Ophelia had drowned. ... Shakespeare has created a somber mood already which adds to 5.1 right off by talking about a graveyard. ... As Ophelia's funeral procession moves into the play, the graveyard now takes on its more traditional role, as a place of grief, rather than a place of comedy. ...
In 1923, two brothers from Chicago, Illinois, founded the Disney Brother's Cartoon Studio. Over the course of nine decades, this studio, founded by Walt Disney and older brother Roy, has evolved into one of the world's largest multinational mass media corporations. Disney's animated films are renown...
