The point is she got these ideas from somewhere other than the actual story of the murders because Connie was not even the name of any of the girl's killed. Of course she had to put this kind of information in to make the story interesting and fictional or else it would have just been straight news, but if she admits all of her characters are composites of other people then who is this girl Connie a composite of. She also claims Connie's" mother was always nagging her with comments such as "why don't you keep your room clean like your sister? How've you got your hair fixed-what the hell stinks? Hair spray? You don't see your sister using that junk" (149). Oates may have been showing characteristics of her own young adulthood through her character Connie. .
It also seems that no matter the novel or short story Oates always portrays religion in one form or another. She states "I wanted to write about religious experience from the other side, about interior experience" when discussing her novel Son of the Morning. She describes the novel as "a first person narration by a man addressing himself throughout to God the whole novel is a prayer" (Westcott 3: 120). In order for a person to write a novel of this religious caliber it is important that they are well read in the bible, and she is, according to the author: .
while writing this novel, Oates devoted hours each day to reading the Bible in an attempt to put herself in the place of a fundamentalist Protestant who could go to the Bible every day for guidance and would not have any critical or historical preconceptions. (3:121).
The point is made that she is a very religious person so that it is easily conceived that she would be very touched by the murders in Tucson. The way Oates describes Arnold as "a boy with shaggy black hair, in a convertible jalopy painted gold" (Oates 150) initiates fear in the reader. Since Oates is very religious it is easily inferred that she associates Arnold with the devil because his hair is black which stands for evil and he is driving a old beat up jalopy which is unattractive like the devil.
Devils, Wolves, and Elvis Presley: Inspiration for Joyce Carol Oates" "Where Are You Going, Where Have You Been?" Since it's first publication in 1966, Joyce Carol Oates's short story "Where are You Going? ... "(10-14) In "Where Are You Going, Where Have You Been?... In "Where Are You Going, Where Have You Been?" ... Bibliography: Oates, Joyce Carol "Where Are You Going, Where Have You Been?" ...
Since it's first publication in 1966, Joyce Carol Oates's short story "Where are You Going? Where Have You Been?" ... "(10-14) In "Where Are You Going, Where Have You Been?... In "Where Are You Going, Where Have You Been?" ... Also, at the end of "Where Are You Going, Where Have You Been?...
"...she knew she was pretty and that was everything" (Oates, 14). Connie, the main character of the story Where Are You Going, Where Have You Been?... She was described as having long, dark, blond hair that she wore " part pulled up on her had and puffed out and the rest she let fall down her back" (Oates, 15). ... Joyce Carol Oates overall described Connie as a pretty, young girl. ... Joyce Carol Oates describes Connie from there different points in the story Where Are You Going, Where Have You Been?. ...
The critically acclaimed short story "Where are you going, Where have you been?... In his article "Joyce Carol Oates's Where are you going, Where have you been as pure realism-, Coulthard argues that Oates's story is strictly, a written representation of a victim of the real-life murderer, Charles Schmid. ... In his analysis, Coulthard has merely scratched the surface of "Where are you going, Where have you been?... In his article, "Impure Realism: Joyce Carol Oates's Where are you going, Where have you been?... Arguably, this particular ending would support the claim that "Whe...
False perceptions and stark realities are seen in Joyce Carol Oates' short story, "Where Are You Going, Where Have You Been?" ... Oates elucidates that Arnold has a "long and hawk like (nose), sniffing as if she (Connie) were a treat he was going to gobble up and it was all a joke"" (368). ... As Connie is walking past the screen door, Oates writes, "so much land that Connie had never seen before and did not recognize except to know that she was going to it" (377). ... Joyce Carol Oates suggests that one's perception on something such as sexuality may not always be what it seems, suc...
Having said that, Joyce Carol Oates, "Where are you going, Where Have you been?" ... He tells Connie what she is going to do: ""Now what you"re going to do is this: you"re going to come out that door. ... He even tells her how he will have sex with her: "I"ll hold you so tight you won't think you have to try to get away or pretend anything because you"ll know you can't. And I"ll come in side you where it's all secret and you"ll give in to me and you"ll love me" (Oates 701). ... (flannery O"Connor, Joyce Carol Oates) Nancy Bishop" writes, "Connie becomes more and more frighten...
Compared to the other characters in the short story "Where are you going, Where have you been?" by Joyce Carol Oates, the character Arnold Friend is one of the most developed and multifaceted. Besides have an intriguing personality, Arnold Friend is symbolic to the devil. ... As he watched her pass by he said, "Gonna get you baby." ... One of the deal were either she would go with him for a ride or he would kill her family. ...
Joyce Carol Oates? short storyWhere Are You Going, Where Have You Been?? ... Where Are You Going, Where Have You Been?? ... is an excessive dramatization and sensualizing of Oates storyWhere Are You Going, Where Have You Been?? ... Otherwise, let your imagination do the work, give your eyes a break, and sit in utter disarray with a copy ofWhere Are You Going, Where Have You Been??...
Joyce Carol Oates is noted for her ability to create stories with terror and also known for the descriptive violence in her portrayals of America life. Oates wrote in many types of forms, but most of her books have strong elements of naturalism, a literary style emphasizing an objective presentation of life. ... In story "Where Are You Going, Where Have You Been?" ... In the story "Where are you going, where have you been?" ... In the story "Where are you going, where have you been?" ...
