1. Compare And Contrast
Death became very angry and stated, " You have hoodwinked me this time, and I will forgive you once because you are my godson. But if you try such a thing again, it will be your neck, and I will take you away with me" (Grimm's 9). The next plot was when the doctor saved the princess despite of the second warning Death had given him. He did this because he was greedy and was striving for the princesses" flesh and body. The last plot that I will be writing about for this story is the death of the doctor. As a result of the second act of defiance, death kills the doctor because Death issued a second warning and he clearly ignored it because he wanted to be king and marry the princess.
John Updike's "A&P," also contained many plots in the story. The first plot starts of when the three girls walk into the A&P in their bathing suits, flowing freely and Sammy admires them as he criticizes the store and its customers. Sammy's excited and pleased to see that they have broken the policies of the store. The next plot begins when Lengel, notices the girls as they go to the register and he comes over and says, "Girls, this isn't the beach."(Updike 17). Lengel is obliged to see the girls because he is the manager of the store. He feels he should confront them because his values and his position are very important to him. Another plot that takes place is when Sammy quits his job because he thought whatever Lengel did to the girls was wrong. He does this because he is attracted to the Queen and therefore he quits his job to represent authority. He wanted the girls to have their freedom but Lengel as you read rebels the freedom from the girls. The last plot that I will be writing about for this story is when he goes to the parking lot hoping that the girls have waited for him to thank him, but they were gone. When he came out and looked around. There wasn't anybody but some young married couple screaming with her children about some candy they didn't get, by the door of a powder-blue Falcon station wagon (Updike 18).
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