1. Guilt and Violence in Raging Bull
... Paul Ricoeur says: Guilt becomes a way of putting oneself before a sort of invisible tribunal which measures the offense, pronounces the condemnation, and inflicts the punishment; at the extreme point of interiorization, moral consciousness is a look which watches, judges and condemns; the sentiment of guilt is therefore the consciousness of being inculpated and incriminated by the interior ... thinks of redemption visually. Cinema's inherent visuality actually connects it to the longer tradition in Catholicism toward visual representations. Historically speaking, for Catholics the cruci...
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- Grade Level: High School