1. Karl Marx's Influence in Films of the 1930's
... called a "cattle - like existence", echoes throughout both movies, albeit in different degrees. À Nous la Liberté and Metropolis both use powerful imagery to portray the alienation of workers as they are endlessly cosigned to repetitive tasks, making them seem more like cogs in a machine than humans. In the opening scenes of Metropolis, Fritz Lang uses a montage of machines and workers to ... are synchronized, much like that of a machine. Like programmed robots, they do not communicate with each other. À Nous la Liberté opens up with a similar scene; workers in prison on an assembly ...
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- Grade Level: High School