1. British Realism in A Taste of Honey and Trainspotting
... and film realism. Directors such as Ken Loach prefer to talk about his films more in terms of their storytelling ability in the hope that they resonate with the public. Realism then comes not from Hollywood special effects but from the narrative, the concept of the film and its themes; these themes, now widely accepted as the norm, money, drugs, class ... -represented more that they are represented from different or specific social perspectives. The 'real' then comes from context as Hill notes later, "The idea that realism is linked to the representation of the Working-class derives in p...
- Word Count: 1459
- Approx Pages: 6
- Has Bibliography
- Grade Level: Undergraduate