1. Popular Music and Contemporary U.S. Culture
... 1920's and 1930's. For Adorno, popular music is standardized, repetitive, and unequivocally contrasts with "serious" music: A clear judgment concerning the relation of serious to popular music can be arrived at only by strict attention to the fundamental characteristic of popular music: standardization. The whole structure of popular music is standardized even where the attempt is made to ... as one of the many forms of temporal engagement through which neo-tribal associations are formed because it provides a space for expressions of "togetherness" based on articulations of fun, relaxatio...
- Word Count: 2711
- Approx Pages: 11
- Has Bibliography
- Grade Level: Graduate