Throughout this process playwrights, directors and actors make different intellectual choices. Combination and mixture of these intellectual choices must ultimately create a positive synergy, where all the elements of the play have to click into each other and form a good play that is appreciated by the audience. Only if that is accomplished audience can fully experience theatrical intellectual experience. In other words members of production must break through the tough outer shell and bring out the sweet, or bitter center and serve it to the audience on a silver platter. .
The whole theatrical intellectual experience starts with the playwright. As respected authority Robert Cohen remarks, "He is an anomalous figure in the theatre. In his home he is the master of the stage, the initiator of all theatrical art" (Cohen, p. 79) Not only playwrights is the origin of every play production, it is the origin of the overall intellectual appreciation of the audience. He or she is the one who makes the director and actors work so hard so there are no stains on the "silver platter." The playwright's intellectual experience begins with an idea, thought or experience, which strongly overtakes his mind and creates an urge to pass it all to the audience through his script. The playwright's mind takes part in a creative process. The creative process is the process of generating ideas, molding them together in the back of the mind and finally making choices about the characters in situations. First during this process the playwright gets an impulse or idea to create and pass it to the audience. Than the playwright I his mind unconsciously thinks for long hours about that idea and how to put it in the script. Soon or later all of the sudden in his mind he answers questions that up to this time remained unanswered or were unclear. Finally the playwright makes the final intellectual choices depending on the message and the objectives of the play.
