In "One Art", the author shows attitude in her choice of diction, tone, and verse. In the first five tercets, there is a shift from an attitude of nonchalance to that of emotional hesitation. In the first three tercets, the speaker preaches to lose small items to get accustomed to losing things. In the fourth and fifth tercets, the speaker starts losing bigger items with more sentimental value. In the last quatrain, the speaker looks as if she is losing something important like a loved one but tries to console herself by looking objectively at her loss as though it were a parallel loss to that of her other items. The speaker is more emotional in the final quatrain and seems to be hesitant in repeating her flippant attitude to the other things she has lost when she writes losing you. The speaker is clearly more emotional when losing something closer to her in lines 16-19 then she is when unemotionally losing things of lesser value in lines 1-15.
In lines 1-15, the author's main goal is to make the reader feel as if loss is not important. Although the author believes this way, she still reveals some emotion when losing things in the fourth and fifth tercets. In the first three lines, the speaker seems like she is preaching that "loss is not a disaster" and "things seemed filled with the intent to be lost". The speaker seems very confident in the first three tercets by repeating "The art of losing isn't hard to master" and telling one to "lose something every day." She also tells "losing farther, losing faster: places, and names", these things are said because the speaker wants one to prepare losing more and more. Lines 10 to 13 show a crack in the speaker's confidence. She begins to use more emotion with her "mother's watch and "loved houses". The things she loses in lines 10-16, are more personal and more sentimentally valuable than what she loses in lines 1-9. In lines 13-16 the author loses huge things such as "two cities, lovely ones" and "two rivers, a continent" and mentions she misses these things.
That was arguably until art styles like pop art were born. ... Yves Klein was one of the more significant and prominent artists of this time. One of his more recognizable pieces, the "Blue Monochrome," was very influential and proven in changing the art era. ... This was one of many that led to the Woodstock Festival and so on. ... It was a fun art, a hopeful art, a new art! ...
Soon, however, there became a point when the work of art was no longer something one could just look at and understand; the principle of the matter had changed. Art leapt from viewable understanding straight into the Modern movement where theory became art, and to understand it, one must know the theory it is based upon. ... That is to say, one must start with the understanding of the theory, what became known as the painted Word, behind Modern art between 1945 and 1975. ... In order to contemplate why Modern Art is not truly what one would call art, exploration of the Word and how it devel...
Art Nouveau as a style does"nt result from European history soely but consits of a mixture of elaborate, oriental, and classical elements, wanting to express the break with traditional forms, on one hand reflecting the spirit of the Belle Epoque and influencing it at the same time. ... Louis Sullivan is regarded today as one of the most individual and innovative architects of the developing modern period. ... One of Sullivan's most famous designs was the creation of a tall commercial office building. ... Also considered one of the most influential architects of his time, Frank Lloyd Wrigh...
In this introduction I will be talking about art nouveau and what art nouveau is and what it stands for and how it influenced art, architecture and fashion. ... The term Art Nouveau is derived from Maison de l'Art Nouveau, a Paris shop opened in 1896 by the dealer Siegfried Bing.Art Nouveau was an art movement, which lasted from the 1880's to the beginning of 1914; this movement changed many people's lives and lead the way to a new centaury of art and a new art form. ... The feminine art' or art nouveau is and was basically made up of a sensualist flowing line that often t...
Art Nouveau (1880's-1914) Art Nouveau is an elegant decorative art style characterized by intricately detailed patterns of curving lines. ... Art Nouveau remained popular until about the time of World War I, and was ultimately replaced by the Art Deco style. ... The movement's name, initially coined in derision by a journalist, was inspired by one of Claude Monet's paintings entitled Impression - Sunrise. Post-Impressionism (1880-1910) Post-impressionism is an art-historical term coined (1910) by British art critic Roger Fry to describe the various styles of painting t...
Alfred Gell explains art in almost a mathematical like formula which helps art lovers better understand the emotions art produces. ... An agent is the art piece[Gel98]. ... Using this concept helps one understand why art is a living thing and why it makes them feel the way it does. ... No one should view a painting as colors on a canvas. ... Art is powerful. ...
The concepts of art and the different philosophers work on art. ... Painting One form of painting is Egg Tempera; here the coloring is mixed with egg yolk or both the yolk and the white of an egg. ... One of his masterpieces was to present a mystical figure who is overwhelmed by a miraculous vision. ... Conceptual Art Grasps the location of the purpose of art. ... Installation Art Is art that is or has been installed. ...
However, American Art has its place too in the importance and history of art culture. ... However it is important that American art be seen as influential as European art within the art culture. This critique of the Los Angles County Museum of Arts, American Art Exhibit, currently one of LACMA's permanent collections, delves into the spirituality which is the history of American Art. ... Allowing one to relax and become fully immersed in the exhibit. ... The art lights illuminate the featured paintings and art pieces so that they may take center stage. ...
What exactly is classified as art and what is not is very subjective. ... I can sometimes understand abstract art, or at least recognize the fact that a piece of art took a long time to create and a lot of effort was put in. ... The odd thing about art is that there is no one way to describe what is and what is not art. ... Art is just a different form of expression. ... When learning of the "true" meaning behind a painting, one just thinks to themselves, "Oh god give me a break." ...
Indian Art has been through many winds of change. ... One might argue that for a work of art to be a true success, the viewer must attain the RASAs conveyed by the artist, therefore experiencing the same temporary psychological state of mind, an important testament and symbol of the recycling of existence, of being and therefore life itself. ... Note that the purpose is not to overlap, but appear either one above the other or directly beside one another. ... Symbolism plays a pivotal role in Indian art, more so than art from any other culture. ... In conclusion, aesthetics in Indian art funct...
