This essay will attempt to study the character of Iago .In Shakespeare's Othello; Iago carefully entraps Othello into believing that his wife, Desdemona, is having an affair with Cassio. He does this through a series of ... love thee; but nevermore be officer of mine. Cassio must have felt very bad due to the loss of all he had worked for, "burning gallons of mid-night oil", working up his reputation that any half-hearted human can tell he deserved. It was therefore understandable that he would fall to the mercy of Iago completely oblivious to ... reveals his plan to the reader in his third ...

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... and trustworthy person. Yet, as the audience is well informed by the end of the first act, he appears to be quite the opposite. He's a duplicitous character, honest and kind on the outside, but truly a pure, evil and malignant person on the inside. Throughout the entire play he turns all his friends, who ... enflamed a jealousy which was already there and therefore cannot be blamed for the actions of others. Throughout the play Othello almost every character at one time or another referred to Iago as an honest man while the audience saw Iago cruelly and viciously lie and deceive one ......

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... aspects of Iago's personality. There is no doubt after Act 1 that he is the villain of the story and an extremely intriguing character. Iago is not a character who likes to get his hands dirty. He creates the trouble, causes the stir but has the ability and coolness of mind to remove ... so much demonstrates how power-hungry he is. It is often a person's desire for power and status that drives them to evil. Othello is another character we witness Iago plotting to destroy. Iago is someone who can not stand being anything less than leader. Therefore not only does he detest having a ... pr...

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... in his case, it is not a flaw because he holds honesty above all. He will not sacrifice his integrity to maintain a good reputation. The night that Cassio gets drunk on the watch and is fired, Cassio takes full responsibility for his actions. He does not seek to lay the blame ... polished, elegant, handsome, and cultured. Many of these traits are direct opposites of the foreign Othello. Innately, Othello admires Cassio's character, but that subconscious admiration translates to jealousy when Iago nudges him in that direction. Cassio is fairly static throughout the play.  He is an...

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How does the dialogue develop your response to the character of Othello? Othello is extremely nave and pitiful. The love he feels for Desdemona is shown in the language Shakespeare has written in other scenes. However in Act 3 Scene 3 Othello's ... him, Iago starts to twist his words claiming maybe he is wrong, Desdemona would never do that to him. Iago seems to reap great pleasure in telling Othello of a fictional dream that Cassio has had that he himself (Othello's right hand man') has witnessed. He claims that whilst unable to sleep he heard Cassio saying, "Sweet Desdemona, let us be wary...

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... (believed to be Desdemona). The concealed meaning however, would be that Othello has just lied about Cassio saying that he lay with her. This word play is what shapes Iago's character, and makes him deceptive. In addition to being deceptive, Iago is also jealous. The audience quickly learns this as Iago explains: One Michael Cassio, a Florentine- A fellow almost damned in a fair ... . When Emilia asks Desdemona who smothered her, Desdemona says "I myself". Desdemona's submissiveness is evident until the very end, and the language she uses emphasizes this aspect of her character. In addit...

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... traditional views of progression rather than Othello's practical promotion of Cassio as the most appropriate person for the job presents a paradoxical element of his character. When presented with a situation where he stands to benefit from traditional procedures, he is willing to support them, even though he maintains a ... his role in the play extends past that of a simple cog in the machinery of fate, and that the many facets of his character that reveal themselves on closer inspection were intended to lead the audience to certain other conclusions. The fact that Iago values pragmati...

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• Grade Level: Graduate

... swords for the dew will rust them" are both poetic and commanding. This cry emphasises his own essentially peaceful nature. Urgent reassessment of this character is demanded. Othello is unafraid- confident of his worth. Othello will not hide in his house or attempt to suppress the truth. Othello ... Othello is unperturbed by the attempted arrest reflecting not only supreme confidence in his own military prowess but also a sensitivity and lyrical dimension to his character. When faced with Brabantio's ranting, calling him a "thief", twice, asking him where he has stowed his daughter and ...

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Desdemona's Character Relationships The character of Desdemona represents a woman of the 17th century who surpassed the norms of sexual morality set for Venetian women of that time. When Desdemona left her father's house to marry ... ...

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... and advantages, like he wanted to be Othello's Lieutenant, and was jealous of Cassio. By the title of the play, I automatically thought Othello must be the name of the main character of the play or must play a leading Role. However as I read the book I learnt that one of the main characters was Iago. Iago is a 28 year old Venetian, and ancient ... ...

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Iago's Character Act III scene III is very important in the play Othello. This is the scene that Iago changes Othello's mind about his wife, Desdemona. By Iago's words and everyone else's actions, Othello begins to believe that Desdemona is cheating on him with Michael Cassio. Othello trusts Iag...

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... ; this is as a result of his difference with the rest of his world, the white-world. Othello being black, has given him a sense of instability where he is living a "dream" and this dream could come to taters at any point in time, whence he will "be put back in his place" with the lower class. Hence his cautious and vigilant essence is ... abruptness is shown in Act 4 Scene 1 line 38 "First to be hanged then to confess" This is further supported by Act 4 Scene 1 line 192 "get me some poison, Iago, this night ill not expostulate with her lest her body and beauty unprovide my mind again..."...

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... his plays there are events that coincide with each other as well as characters and themes. Even in two seemingly different plays - a comedy and a tragedy - these parallels are apparent. Twelfth Night and Othello each show prime examples of reoccurring motifs. When comparing this comedy and this tragedy, specific parallels can be drawn. Setting is a significant part in Shakespeare's plays. The mood ... : "Why masters, have your instruments been in Naples, that they speak i' th' nose thus?- (3.1.4-5). Parallel characters are common in Shakespeare's plays; they create a sense of similarity ...

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... Cassio is behaving whilst talking with Iago. Othello is determined to kill Desdemona after what has witnessed. "Get me some poison, Iago, this night. I"ll not expostulate with her, lest her body and beauty unprovide my mind again - this night, Iago." (Act 4, Scene 1, Line 92-94). Othello has changed as a result of Iago's wicked ways. He has changed to such an extent ... unfaithful. His words are spoken in an aggressive harsh tone, which shows how angry he is, and how much he has changed because of Iago's evil-minded ways. Later that night, Othello questions Desdemona again of her adulte...

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... Cassio is behaving whilst talking with Iago. Othello is determined to kill Desdemona after what has witnessed. "Get me some poison, Iago, this night. I"ll not expostulate with her, lest her body and beauty unprovide my mind again - this night, Iago." (Act 4, Scene 1, Line 92-94). Othello has changed as a result of Iago's wicked ways. He has changed to such an extent ... unfaithful. His words are spoken in an aggressive harsh tone, which shows how angry he is, and how much he has changed because of Iago's evil-minded ways. Later that night, Othello questions Desdemona again of her adulte...

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... of "loving too well-. Resembling Othello, Gatsby is a romantic figure whose sense of time is not reflected on any clock face. Gatsby continues to function as a symbol of the American Dream in the 1920s, which, as Fitzgerald implies throughout the novel's exploration of wealth, has become vulgar and empty as a result of subjecting its sprawling vitality to the greedy pursuit of ... to represent a sense of impending doom - Gatsby's tragic fall is inevitable. Another element of the genre of tragedy is the catastrophic flaw in the tragic figure. The development of Othello's character centre...

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... being weak has almost become a given. There are two general ideas from the sources that I found. One of the ideas sees Iago as a conspicuous character whose sole purpose is to generate evil. Another analysis of Iago is that Shakespeare has created Iago to be a very dramatic villain rather than an evil ... (Hazlitt) Marvin Rosenberg is even more critical of Iago and discusses his interaction with anyone he comes in contact with. He refers to Iago's character is that of "raging torment". He also talks of the two personalities that Iago forces himself to play. The one side, which he only ....

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... same time aims to break down all the other characters around him. He is the instigator of all the tragic events within Othello. He is a complex character in all the Shakespeare's tragedy (Chatto & Windus, 19). Othello's plot outline can best be understood in the portrayal of Iago as an evil epitome ... traits. To heighten his devious nature comes across in his series of soliloquies that show his real intentions and motivation. The real dramatic irony of his character can be seen from the extended aside. His intentions are to fool other characters as we see them being convinced by his spli...

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... what he hears and sees. He wants Cassio and Desdemona killed immediately. Iago promises to help him. He will undertake to murder Cassio that very night; Othello must strangle Desdemona in the very bed that she has defiled. Othello agrees. Lodovico and Gratiano, messengers from Venice, arrive, accompanied by ... Othello will believe him. The tragic hero is now thoroughly brainwashed about Desdemona and still trusting and praising of Iago. He is truly a pathetic character, especially when compared to the strong, proud, self- confident general seen in the opening scenes of the play. Iago hi...

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... a code of behavior and upbringing which views someone like Othello as barbarous, uncivilized, and almost amusing in a superior cultural kind of way. Every time a character calls Othello "the Moor" a sense of derision and superiority is conveyed and all the other feelings of distance inherent in Venetians.[4] Iago says that Desdemona is ... excellent points, which could well have come earlier. 4. This brings together the idea of Venice and the character of Othello himself, but this superior, sneering view of Othello needed a better range of quotations. Sometimes a list of very short phra...

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... put before him through a planned scheme by Iago, Othello is angry and feels used, "I tremble at it. Nature would not invest herself in such shadowing passion without some instruction"(IV, i, 39-41). Othello then confronts Desdermona with these lies, "If you bethink yourself of any crime unreconcil's as yet to haven and grace solicit for it straight" (IV, ii, 26-28 ... self doubt that they experience. It can also cause them to behave in ways that would normally not be within their capabilities. Othello, Edward and Kathryn have much in common character wise. They are living their lives wi...

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... . By that, I couldn't help but distinguish the type of character Othello was. I consider him as a "tragic" hero for a number of reasons.  It was very evident as to why I make this claim. As he also happens to fit all of the criteria of a tragic hero. All from a list that was compiled by the great Aristotle, one that was implemented throughout the ... of all, the entire story, or theme was a tragedy in itself. What makes the story a tragedy? The fact that it is defined as a literacy, or work in which the main character(s) are decimated into shear ruins. Where they suffer extreme sorrow, ...

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... passion of jealousy; this emotion was the essence of the entire story, and is largely based on it. It initially placed the readers into a specific atmosphere, built character, unveiling the true side to various people in the script, and created the conflict of the entire play. Firstly, the atmosphere of the play is created due ... a mood of suspicion, bitterness, and forced to feel surrounded by cloud of hate. "I hate the Moor And it is thought abroad that twixt my sheets-. The character, Iago, is quoted here claiming his hatred for Othello because he suspects that he had been sleeping ...

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... Iago reveals his plan to the reader when he states "His soul is enfettered to her love that, that she may make, unmake, do what she list, even as her appetite shall play the god with his weak function... And she for him pleads strongly to the Moor, I"ll pour this pestilence into ... never ceases to tighten around the three characters. However, for any of Iago's plan to work, he has to first build up the trust of each character. Being that he is so talented at reading and manipulating people, this is not very difficult for him. Iago's declarations of love spoken so openly and ... While t...

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... discharges Cassio when he says, "I love thee; But nevermore be officer of mine." How must poor Cassio have felt? To lose all he had worked for, burning gallons of mid-night oil, working up his reputation that any half-hearted human can tell he deserved. It was therefore understandable that he would fall to the mercy of Iago completely oblivious to ... . Iago reveals his plan to the reader in his third soliloquy where he states, "His soul is so enfettered to her love, that she may make, unmake, do what she list, even as her appetite shall play the god with his weak function...And she for ...

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• Grade Level: High School