1. The Stanislavski System
... a character seems natural and effortless. A realistic character should contain ideas, genuine feelings and emotions that should be apparent in the actor's physicality on stage. The actor is not simply there to tell a story, the actor should embody the story. Organic acting is not an accurate representation of reality; ... imagination are silent, remember 'if'"" (Stanislavski 1936: 51). Stanislavski did not believe that it is possible for an actor to live a complete truth on stage, but rather that a circumstantial truth can be developed. An actor starts by using the "magic if" to create ...
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