1. Suprematism and Constructivism
... his followers were displayed; it was announced as the essential Suprematist work. On the one hand it was radically nihilistic and could be interpreted as a gesture of rejection, providing no narrative, theme, composition or picture space, apparently rejecting all pictorial conventions and offering a canvas of unprecedented blankness; on the other hand suspension across the corner of a room was a common way to ... of contemporary technology. The Stenberg's, for instance, created skeletal forms from materials such as glass, metal and wood, evoking engineering structures such as bridges an...
- Word Count: 3313
- Approx Pages: 13
- Grade Level: Undergraduate