1. Mulvey and Latin American Cinema
... be hope that contemporary narrative cinema has found a way to free itself from phallocentricism and objectification of its female characters. Four contemporary Latin American films, Memories del Subdesarollo (1968), El Mariachi (1993), Amores Perros (2000), and El Yuma (2012), seem to show the transition ... misogynistic biases, rather that they are just aware of them and reference them to certain degrees. An analysis of these four contemporary Latin American films provides a way to look at the progression of the female presence in cinema. Mulvey is initially concerned with people's obs...
- Word Count: 4301
- Approx Pages: 17
- Has Bibliography
- Grade Level: Undergraduate