1. English Literature in the Twentieth century
... find with the word, its usual concomitants, of its known acceptances, and of ironical play. It holds the aesthetic content which is peculiarly the domain of verbal manifestation, and cannot possibly be contained in plastic or in music. It is the latest come, and perhaps most tricky and undependable mode. (Ezra Pound, How to Read, or Why (1929–31)) The Modernist poet ... ; second, his conviction that poetry, although using the poet's emotions as its starting point, becomes 'impersonalised' by the tradition in which the poet works; and third, his use of quotations from and allusions...
- Word Count: 10566
- Approx Pages: 42