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Antigone


In return, her sister introduces another burden this tragic hero must bare: She is merely a woman. .
             Antigone captures many qualities of a tragic hero. Foremost she dies doing what she believes to be right. She sets out to bury her brother knowing Creon has issued a decree that anyone who attempts to give proper burial to Polyneices will suffer the consequences of death. Here lays her noble quality. She "takes into consideration death and the reality that may be beyond death" (hawthorn 59). Then she commits a selfless act. Also, " the play bears her name rather than Creon's, even though she disappears halfway through the action; indeed, some commentators have suggested the play should be named after Creon, but the specter of Antigone hovers over the play after her entombment, and it is she who has the determination, strength of character, and willingness to accept her fate-characteristics heretofore reserved for heroes." (Wallace Gray, Homer to Joyce, 1985) .
             Polyneices" proper burial is not the only issue. To obey the law of a mortal and forsake the laws of the Gods could, in turn, wreak grave punishment upon their people. The chorus brings light on Zeus when the guard tells Creon of the covered body. The characters support and understand Antigone's choice in the matter.
             Many believe that Creon is the tragic hero of "Antigone", with his noble quality being that he cared for Antigone and Ismene when their father was persecuted. Proponents of this view also point out that Creon had an epiphany while realizing that he made a mistake when Teiresias made his prophecy.
             Creon was not the tragic hero in this play. Creon's interpretation of his struggle with Antigone is personalized. Throughout the play, Creon refers to himself and the state as being one entity. Antigone's defiance against the state is defiance against Creon. Anitogone is concerned for the fate of her brother and the law of the God's.


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