Burial Plaque (nenglataki), 20th century

Tree fern, leaves and grasses, mud, pigments

Museum purchase, with funds realized through the

deaccession and sale of gifts from Marjorie van Andel

Oceania encompasses about 25,000 islands clustered in Southeast Asia and the South Pacific, and the collection addresses both of these regions comprehensively. The works on exhibit in the gallery fully represent the strengths and scope of the collection. Supplemented by a few long-term loans, it includes several major works in wood from proto-Malay cultures of Indonesia. Among them are a pair of friezes from a Batak granary (sopo) , two Batak staffs, and an ancestral commemorative horse and rider figure (jara heda) from Flores. Other cultures represented by sculpture include the Dayak of West Kalimantan, the Toraja of Sulawesi, and the island of Nias. Island Southeast Asia is defined as including the Philippines as well, and there is one figure from the Ifugao people of the northern highlands of Luzon. The emphasis is on the ways in which the art of these cultures expresses their belief systems and reflects their origins

Wood, cloth, cowrie shells, beads, string, pigments

Museum purchase, with funds realized through the

Some topics in this essay:
Body Painting, Ethiopia Surma, Central Africa, South Pacific, Honduras Nicaragua, Gold Rush, Chinese Japanese, Egyptian Roman, Native Hawaiian, Fund Africa, 20th century, wide variety, body painting, deaccession sale gifts, realized deaccession sale, funds realized, deaccession sale, realized deaccession, sale gifts, late 19th, southeast asia, museum purchase funds, funds realized deaccession, museum purchase, purchase funds realized,