1. Montage styles of Sergei Eisenstein and Dziga Vertov
... producers with formalist approaches, among many, were Sergei Eisenstein and Dziga Vertov. Sergei Eisenstein believed that a film could be constructed using a series of shots to create and convey abstract concepts to an audience. A constant collision of one shot called the "thesis" could be combined with another shot called the "anti-thesis" to create a totally new meaning called ... the specific meaning created in the minds of the audience, of the juxtaposition of two images, which was solely due to their juxtaposition and not to the content of the individual images. So for Eisenstein, ...
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