1. Montage styles of Sergei Eisenstein and Dziga Vertov
... overall structure, Eisenstein's mere juxtaposition of images could never determine the impact on a whole film. Montage account is significant at the local level but not at the overall level. So Eisenstein was not merely joining the montage pieces but sensitively orchestrating them so that the audience can receive a host of organized stimuli weaving throughout their minds, yet creating a final impression of feeling of totality. On the other hand, Vertov presented rather ... . Under a particular chosen theme, he took shots that are most expedient that best expressed his theme. Vertov then ...
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