1. Montage styles of Sergei Eisenstein and Dziga Vertov
... was exploring collision montage, Vertov's formalistic expression in film was the creation of cinematic documentary with rhythmic montage through the visible world of the Kino-Eye (movie camera). Kino-eye showcases its significance from the very collection of raw material to the finalization of the film, the decision on collection of images to the final editing of film, where it goes through the scientifically experimental method of exploring the visible world. Kino-eye films are, therefore, subjected to ... which then was effectively made into montages to be inscribed and defined within...
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