1. Bicycle Thief
In Vittorio De Sica's, Bicycle Thief, Pier Paolo Pasolini's, Mamma Roma, and Roberto Rossellini's, Rome, Open City, each filmmaker uses humor to evoke emotion and bolster his view about the absurd nature of ... and gloomy expression that is characteristic of a neo-realistic film. This use of comic relief reinforces the display of economic conflict between the classes in De Sica's and Pasolini's films, and political conflict in Rossellini's film. Vittorio De Sica deviates from his grave and serious expressive strategy of portraying a desolate and devastated country by injecting unexpected bi...
- Word Count: 1121
- Approx Pages: 4
- Grade Level: Undergraduate