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Anti-Aesthetics in Art


[ CITATION Pow00 l 3081 ] The woman is naked and retains some modesty and sophistication by draping fabric over her thighs and wearing a turban and earrings. The woman is in a closed body position as she tilts her head to expose a small amount of her face. The artwork incorporates the "male gaze theory", which is a recurrent theme in Man Ray's artworks. The male gaze is masculine vision, almost habitually characterized as patriarchal, psychological, and phallocentric, which is usually related to issues of female spectatorship. "Some of the best recent feminist analyses of visual material, in my opinion, have been concerned to do so-certain motifs are almost sure to appear: voyeurism, objectification, fetishism, scopophilia, woman as the object of male pleasure and the bearer of male lack, etc" stated by Edward Snow, writer for the article 'Theorizing the Male Gaze: Some Problems' [ CITATION Sno89 l 3081 ]. Women are used as a muse, an object for the use of the male gender. This can be seen in Walking Dream Séance, another artwork by Man Ray. The woman in the centre of the photo is used as an object, to do their bidding, which in this case the woman is essentially the recorder of the dreams of the surrealist. This is further proven as Rudolph E Kuenzli states in his article 'Surrealism and Misogyny' "The woman here (actually Simone Breton) becomes the medium, the hands, through which the dreams of the surrealist are preserved on paper. She is so to speak, recording machine. She of course has no dreams of her own, but faithfully encodes male dreams[ CITATION Kue90 l 3081 ]". The male gaze is evident in Le Violin d'Ingres as the woman is objectified to the point that she resembles an object. Man Ray references Ingres in the name of the artwork to signal the appropriation of Ingres's La Baigneuse de ValpincË in terms of the subject, positioning and the well-known violin, for the visual pun.


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