1. Montage styles of Sergei Eisenstein and Dziga Vertov
... believed that a film could be constructed using a series of shots to create and convey abstract concepts to an audience. A constant collision of one shot called the "thesis" could be combined with another shot called the "anti-thesis" to create a totally new meaning called "the synthesis". This exploration of combining shots is called collision or intellectual montage and has its meaning in the ... film was the creation of cinematic documentary with rhythmic montage through the visible world of the Kino-Eye (movie camera). Kino-eye showcases its significance from the very collection of...
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