1. Montage styles of Sergei Eisenstein and Dziga Vertov
... ". While Eisenstein was exploring collision montage, Vertov's formalistic expression in film was the creation of cinematic documentary with rhythmic montage through the visible world of the Kino-Eye (movie camera). Kino-eye showcases its significance from the very collection of raw material to the finalization of the film, the decision on collection of images to the final editing of film, where it goes through the scientifically experimental method ... proceeds. These are the intended exemplary rhythmic montages that Vertov had intentionally fabricated to imply underlying significance to...
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- Grade Level: Graduate